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How exciting! Clandestine killers have long been a grisly obsession for movie directors and cinema-goers alike. With that in mind, and seeing as you're far too grown-up, stylish and or emotionally distant to dress up or do anything that requires real effort for Halloween, we decided to do the heavy lifting for you, with a list of all the best serial killer movies ever made. Zodiac (2007) Based on the true story of a killer (who may or may not be United States senator Ted Cruz, if you ask certain (.WRONG) sections of Twitter), who terrorised San Francisco and northern California in the late Sixties, Zodiac is David Fincher's take on one of the most infamous manhunts in U.S.
History (you better believe that it's tense). Featuring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. And lots of Fincher-esque close-ups in dimly lit interrogation rooms, Zodiac may be long (162 minutes), but who said catching a killer (NOT Ted Cruz) would be easy? Nobody, that's who. A far cry from elegant fragrance icon Theron, Wuornos is pockmarked, dishevelled and emotionally crippled, while Christina Ricci as her naive sidekick is equally as impressive.
Complex, moving and bleak, this is a serial killer movie to make you sit in silence for a while once the credits roll. Silence of the Lambs (1991) Come on Clarice, you knew this one was coming. The fact that Anthony Hopkins won an Oscar for just 16 minutes of screen time as the Chianti and flesh-loving monster, Dr. Hannibal Lecter is evidence enough that - if by some grace of Lucifer - you haven't seen Silence of the Lambs yet, then you should really get on that right away.
'Whenever feasible, one should always try to eat the rude.' Just one of many pieces of sage advice from Hopkins' Lecter. Se7en (1995) Another one for Fincher, this time starring pre-sad-boy Brad Pitt as the dynamic foil to Morgan Freeman's tired old detective, the pair desperately hunting down a serial killer who employs ostentatious and gruesome techniques on his victims, each representing one of the seven deadly sins (gluttony is our favourite). It's definitely very Nineties (Brad Pitt in a leather jacket staring up into the pouring rain of New York while some obnoxious orchestra plays in the background), but that matters little with a story that's as tight and fast-paced as this one. Henry: Portrait of a Serial Killer (1986) A filmed deemed so depraved by the American board of censorship that it was given an 'X' rating (meaning that cinemas wouldn't want to go near it), Henry: Portrait of a Serial Killer eventually found a release in 1990 and has since gone on to gain cult acclaim for its visceral, fly-on-the-wall portrayal of Henry Lee Lucas, a killer with mother problems, who confessed to killing up to 300 people. Less of a psychological or smart thriller than an instrument for blunt trauma, it's the nihilism and pointlessness of Henry's killings that make it so disturbing.
The idea that someone could murder you just because they feel like it. A brilliant film in its own right, American Psycho also serves as a wry pre-crash portrait of the vanities and excesses of a selfish city lifestyle. 'Is that a raincoat?' Snowtown (2011) While many of the films in this list focus on the fully-fledged sprees of serial killers, Australian indie movie Snowtown shows us the dark and insidious descent required to get there.
At times unwatchable and often unbearably grim, here we see a teenager in search of belonging, only for his mentor to twist and bend that desire into the darkest of outcomes. Another wall-starer for sure. Badlands (1973) Based on the true story of Charles Starkweather and Caril Ann Fugate, teenage lovers whose 1958 murder spree across the Nebraska plains made headlines across America, Badlands is Terence Malick's best work (sorry, Tree of Life).
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One of many great films about a young couple escaping onto the back roads of free America, Badlands is Bonnie and Clyde with more style, a better script and way more blunt psychopathy. M (1931) One for the genre heads out there, M is considered the first ever serial killer movies and a classic of the genre, following the frantic chase for a child murderer at large in the streets of Berlin. Considering the year it was made, M still hold up remarkably well when seen through modern eyes. In fact, plenty of modern directors could learn a thing or 10 from its simple but suspenseful build-up and deployment of atmosphere. Great outfits, too.